The Print Studio history confidently documents the timeless medium of print and Kip’s proficiency in various techniques. We look back at the exhibition that brought together over 40 years of expertise.
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The soft colour palette and textures within Fiona Thomas’ Segovia Aqueduct 2 are heavily influenced by nature, landscape and architecture.
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Study in Blue on Black explores different colourways and Alex Charrington’s interest in geometry.
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Karina Sawyer speaks to the London-based painter - Carol Robertson - about her practice and the application to printmaking with Kip and the Studio.
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Rivoli Reds is a prime example of Royal Academician Mali Morris’ exploration of brushwork and chromatic relationships.
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Jeff Lowe’s exhibition featuring prints made at the studio has been reviewed by Arts and Collections, Considering Art, GQ & Wall Street International.
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The works of Peter Randall-Page RA often explore pattern and variation within biological structures and historical writing systems with Tarantella I & II being produced taking reference an energetic dance and spider-like symbols.
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The luminous and prismatic Barn (Yellow) produced with Willard Boepple was a highlight selected from 2019 to be our featured print this month.
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To end the year, we chose a pair of 4-colour screenprints by Stephen Chambers RA which take on not just a monochrome application, but also a vignette-like border.
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Vouchers can be spent on the vast choice of prints made at the studio. Available for any value from £50 upwards they can be used towards the cost of works found on the Kip Gresham Editions website.
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Take a look at our selection of small-scale limited edition prints made by a range of international and British artists who make work at the studio.
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In the second in a series of interviews, Katherine Oliver (Oliver Projects) explores the studio’s collaborative relationship with New York-based sculptor Willard Boepple.
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This month’s chosen print is Giant Steps by London-based artist Trevor Sutton who applies a mathematical, graphic approach to his works.
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In Shepreth, Gina Medcalf explored an abstract approach to making the streaks of vertical colour in her collaborative print with the studio.
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Around 40 prints will be on display and available in this unique opportunity to see the work exhibited in a non-gallery domestic context.
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A fine veil of pattern overlays this secretive meeting of horseriders in The Moon is Down by Stephen Chambers RA.
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Primarily a painter, but fascinated by how her usual ways of working can be translated into the medium of print, Mali Morris RA collaborated with the studio earlier in 2019 to produce Mardi Gras.
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